Richard Wagner was trying to create a single whole or synthesis of the arts and was convinced that

Roy Ascott, is founding director of the program CAiiA-STAR, today-Planetary Collegium, comprising: CAiiA, at the School of Technology, Communication and Electronics at the University of Plymouth in England, Z-Node directed by Jill Scott at the ' Institute for Cultural Studies, University of Applied Arts in Zurich, Switzerland, and the M-Node directed by Francesco Monico and Antonio Caronia at the School of Media Design shoe size conversion of the new Academy of Fine Arts in Milan.
According Ascott networking is the metaphor of the culture of the late twentieth century as it allows interactivity, decentralization, layering of ideas from multiple sources. In its global reach, shoe size conversion its complexity of elaboration shoe size conversion of ideas, in its production flexibility (pictures / music / text and the articulation of systems, structures and environments cybernetic shoe size conversion remote), in its ability to provide a variety of ways of issue , all treated with digital techniques in a space universal shoe size conversion data, is particularly well suited to take on the great challenge of the art of the century, which can be understood as the great project of our time: making the invisible shoe size conversion visible, that is, bring to our senses , make available to our mind, in the human limitations of space and time, what would otherwise remain out of our reach and our perception. The fundamental role of artistic experimentation in the digital field is to change the relationship of the viewer with artistic creation. The interactive art in fact, puts the viewer, the user first. The user is the one who initiates a kind of transformation of the images as well as the one who is at the center of perceptual shoe size conversion experience of an interactive system.
The interactive shoe size conversion art also change status shoe size conversion of the artist, who must also be a researcher and in a sense a philosopher since the field of interactive shoe size conversion art is an emerging field of artistic practice that, like other forms of art, not still has well-established boundaries.
Roy Ascott is the first to put the issue clearly delineate the postindividualismo, ie the formation of connective intelligence distributed shoe size conversion in an environment (network) shoe size conversion where strengthening and autonomy of each individual creative individuality is g linerano by the level of cooperation and interchange .
He coined the term "distributed authorship" because in his view, telematic art allows a cooperative and collaborative creation: the art is seen as a continuous and integrated process where each element is called shoe size conversion to interact shoe size conversion with the whole. Ascott says the opportunity to extend the perception and human knowledge through the relationships between art / intuition and technology / reason and that networking technology is able to represent them and to cultivate them. It 'also the coiner shoe size conversion of the word Technoetica, shoe size conversion or tecnoetica, term composed of a union between words Tecne and noetic: the word indicates that speculation regarding the impact of technology on the processes of consciousness.
To identify the specific process of commissioning the report in the network he coins the term Telenoia, from greek paintings, away, and nous, mind. According Ascott telematics has led to a break with the past by deleting templates mind, body and world; the thought of Ascott itself contains many aspects of oriental culture, he describes the telematics as a network of mutual relations where each event interacts with others in endless and complicated ways. The process telematic celebrates the death of the individual, the original author shoe size conversion of images and texts. shoe size conversion Among the works by Ascott using distributed authorship is The Plissure du Texte, built in 1983 as part of the Electra Frank Popper at the Musée de l'Art moderne shoe size conversion de la Ville de Paris and explores the potential of networking computer for creating interactive and collaborative work of art. The work consisted in connection shoe size conversion of eleven locations around the world where in each of them was created a character in order to achieve a fairytale shoe size conversion interplanetary. The title alludes to the text of Roland Barthes Le plaisir du texte Ascott from which derives the concept of the destruction of the author. Ascott seeks to realize the idea practicing his theory of fatherhood shoe size conversion distributed so that is no longer present an identifiable shoe size conversion author, as the work is carried out by several people at once, leaving the reader only the pleasure of the text itself.
Richard Wagner was trying to create a single whole or synthesis of the arts and was convinced that only through this integration could get the expressive power that can transform the work in a vehicle can affect the culture